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1314 lines
84 KiB
Text
1314 lines
84 KiB
Text
==Phrack Inc.==
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Volume 0x0b, Issue 0x3e, Phile #0x10 of 0x10
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|=--------------------=[ W O R L D N E W S ]=--------------------------=|
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1 - Break, Memory, by Richard Thieme
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2 - The Geometry of Near, by Richard Thieme
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3 - The Feasibility of Anarchy in America, by Anthony
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*** QUICK NEWS quiCK NEWS QUICK NEWS QUICK NEWS QUICK NEWS QUICK NEWS ***
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- Windows source code leaked
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http://ww.kuro5hin.org/story/2004/2/15/71552/7795
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http://www.wired.com/news/technology/0,1282,62282,00.html
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- grsecurity 'Spender' makes fun of OpenBSD and Mac OS X
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http://seclists.org/lists/fulldisclosure/2004/Jun/0647.html
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- These guys have all the books about terrorist/anarchy/combat/...
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http://www.paladin-press.com
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- 29A releases first worm that spreads via mobile network
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http://securityresponse.symantec.com/avcenter/venc/data/epoc.cabir.html
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Break, Memory
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By
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Richard Thieme
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The Evolution of the Problem
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The problem was not that people couldn't remember; the problem was
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that people couldn't forget.
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As far back as the 20th century, we realized that socio-historical
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problems were best handled on a macro level. It was inefficient to work on
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individuals who were, after all, nothing but birds in digital cages. Move
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the cage, move the birds. The challenge was to build the cage big enough to
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create an illusion of freedom in flight but small enough to be moved
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easily.
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When long-term collective memory became a problem in the 21st
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century, it wound up on my desktop. There had always been a potential for
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individuals to connect the dots and cause a contextual shift. We managed
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the collective as best we could with Chomsky Chutes but an event could
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break out randomly at any time like a bubble bursting. As much as we
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surveil the social landscape with sensors and datamine for deep patterns,
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we can't catch everything. It's all sensors and statistics, after all,
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which have limits. If a phenomenon gets sticky or achieves critical mass,
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it can explode through any interface, even create the interface it needs at
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the moment of explosion. That can gum up the works.
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Remembering and forgetting changed after writing was invented. The
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ones that remembered best had always won. Writing shifted the advantage
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from those who knew to those who knew how to find what was known.
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Electronic communication shifted the advantage once again to those who knew
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what they didn't need to know but knew how to get it when they did. In the
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twentieth century advances in pharmacology and genetic engineering
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increased longevity dramatically and at the same time meaningful
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distinctions between backward and forward societies disappeared so far as
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health care was concerned. The population exploded everywhere
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simultaneously.
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People who had retired in their sixties could look forward to sixty
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or seventy more years of healthful living. As usual, the anticipated
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problems - overcrowding, scarce water and food, employment for those who
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wanted it - were not the big issues.
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Crowding was managed by staggered living, generating niches in many
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multiples of what used to be daylight single-sided life. Life became double-
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sided, then triple-sided, and so on. Like early memory storage devices that
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packed magnetic media inside other media, squeezing them into every bit of
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available space, we designed multiple niches in society that allowed people
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to live next to one another in densely packed communities without even
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noticing their neighbors. Oh, people were vaguely aware that thousands of
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others were on the streets or in stadiums, but they might as well have been
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simulants for all the difference they made. We call this the Second
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Neolithic, the emergence of specialization at the next level squared.
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The antisocial challenges posed by hackers who "flipped" through
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niches for weeks at a time, staying awake on Perkup, or criminals
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exploiting flaws inevitably present in any new system, were anticipated and
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handled using risk management algorithms. In short, multisided life works.
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Genetic engineering provided plenty of food and water. Binderhoff
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Day commemorates the day that water was recycled from sewage using the
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Binderhoff Method. A body barely relinquishes its liquid before it's back
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in a glass in its hand. As to food, the management of fads enables us to
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play musical chairs with agri-resources, smoothing the distribution curve.
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Lastly, people are easy to keep busy. Serial careers, marriages and
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identities have been pretty much standard since the twentieth century.
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Trends in that direction continued at incremental rather than tipping-point
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levels. We knew within statistical limits when too many transitions would
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cause a problem, jamming intersections as it were with too many vehicles,
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so we licensed relationships, work-terms, and personal reinvention using
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traffic management algorithms to control the social flow.
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By the twenty-first century, everybody's needs were met. Ninety-eight
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per cent of everything bought and sold was just plain made up. Once we
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started a fad, it tended to stay in motion, generating its own momentum.
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People spent much of their time exchanging goods and services that an
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objective observer might have thought useless or unnecessary, but of
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course, there was no such thing as an objective observer. Objectivity
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requires distance, historical perspective, exactly what is lacking. Every
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product or service introduced into the marketplace drags in its wake an
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army of workers to manufacture it, support it, or clean up after it which
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swells the stream until it becomes a river. All of those rivers flow into
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the sea but the sea is never full.
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Fantasy baseball is a good example. It had long been noticed that
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baseball itself, once the sport became digitized, was a simulation. Team
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names were made up for as many teams as the population would watch. Players
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for those teams were swapped back and forth so the team name was obviously
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arbitrary, requiring the projection of a "team gestalt" from loyal fans
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pretending not to notice that they booed players they had cheered as heroes
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the year before. Even when fans were physically present at games, the
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experience was mediated through digital filters; one watched or listened to
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digital simulations instead of the game itself, which existed increasingly
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on the edges of the field of perception. Then the baseball strike of 2012
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triggered the Great Realization. The strike was on for forty-two days
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before anyone noticed the absence of flesh-and-blood players because the
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owners substituted players made of pixels. Game Boys created game boys.
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Fantasy baseball had invented itself in recognition that fans might as well
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swap virtual players and make up teams too but the G.R. took it to the next
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level. After the strike, Double Fantasy Baseball became an industry, nested
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like a Russian doll inside Original Fantasy Baseball. Leagues of fantasy
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players were swapped in meta-leagues of fantasy players. Then Triple
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Fantasy Baseball . Quadruple Fantasy Baseball . and now the fad is Twelves
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in baseball football and whack-it-ball and I understand that Lucky
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Thirteens is on the drawing boards, bigger and better than any of its
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predecessors.
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So no, there is no shortage of arbitrary activities or useless goods.
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EBay was the prototype of the future, turning the world into one gigantic
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swap meet. If we need a police action or a new professional sport to bleed
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off excess hostility or rebalance the body politic, we make it up. The Hump
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in the Bell Curve as we call the eighty per cent that buy and sell just
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about everything swim blissfully in the currents of make-believe digital
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rivers, all unassuming. They call it the Pursuit of Happiness. And hey -
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who are we to argue?
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The memory-longevity problem came as usual completely out of fantasy
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left field. People were living three, four, five generations, as we used to
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count generations, and vividly recalled the events of their personal
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histories. Pharmacological assists and genetic enhancement made the problem
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worse by quickening recall and ending dementia and Alzheimer's. I don't
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mean that every single person remembered every single thing but the Hump as
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a whole had pretty good recall of its collective history and that's what
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mattered. Peer-to-peer communication means one-knows-everyone-knows and
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that created problems for society in general and - as a Master of Society -
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that makes it my business.
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My name is Horicon Walsh, if you hadn't guessed, and I lead the team
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that designs the protocols of society. I am the man behind the Master. I am
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the Master behind the Plan.
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The Philosophical Basis of the Problem
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The philosophical touchstone of our efforts was defined in nineteenth
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century America. The only question that matters is, What good is it?
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Questions like, what is its nature? what is its end? are irrelevant.
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Take manic depression, for example. Four per cent of the naturally
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occurring population were manic depressive in the late twentieth century.
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The pharmacological fix applied to the anxious or depressive one-third of
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the Hump attempted to maintain a steady internal state, not too high and
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not too low. That standard of equilibrium was accepted without question as
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a benchmark for fixing manic depression. Once we got the chemistry right,
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the people who had swung between killing themselves and weeks of incredibly
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productive, often genius-level activity were tamped down in the bowl, as it
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were, their glowing embers a mere reflection of the fire that had once
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burned so brightly. Evolution, in other words, had gotten it right because
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their good days - viewed from the top of the tent - made up for their bad
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days. Losing a few to suicide was no more consequential than a few soccer
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fans getting trampled. Believing that the Golden Mean worked on the
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individual as well as the macro level, we got it all wrong.
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That sort of mistake, fixing things according to unexamined
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assumptions, happened all the time when we started tweaking things. Too
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many dumb but athletic children spoiled the broth. Too many waddling
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bespectacled geeks made it too acrid. Too many willowy beauties made it too
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salty. Peaks and valleys, that's what we call the first half of the 21st
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century, as we let people design their own progeny. The feedback loops
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inside society kind of worked - we didn't kill ourselves - but clearly we
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needed to be more aware. Regulation was obviously necessary and
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subsequently all genetic alteration and pharmacological enhancements were
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cross-referenced in a matrix calibrated to the happiness of the Hump.
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Executing the Plan to make it all work was our responsibility, a charge
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that the ten per cent of us called Masters gladly accepted. The ten per
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cent destined to be dregs, spending their lives picking through dumpsters
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and arguing loudly with themselves in loopy monologues, serve as grim
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reminders of what humanity would be without our enlightened guidance.
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That's the context in which it became clear that everybody
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remembering everything was a problem. The Nostalgia Riots of Greater
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Florida were only a symptom.
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The Nostalgia Riots
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Here you had the fat tip of a long peninsular state packed like a
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water balloon with millions of people well into their hundreds. One third
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of the population was 150 or older by 2175. Some remembered sixteen major
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wars and dozens of skirmishes and police actions. Some had lived through
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forty-six recessions and recoveries. Some had lived through so many
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elections they could have written the scripts, that's how bad it was. Their
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thoughtful reflection, nuanced perspective, and appropriate skepticism were
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a blight on a well-managed global free-market democracy. They did not get
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depressed - pharmies in the food and water made sure of that - but they
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sure acted like depressed people even if they didn't feel like it. And
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depressed people tend to get angry.
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West Floridians lined benches from Key West through Tampa Bay all the
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way to the Panhandle. The view from satellites when they lighted matches
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one night in midwinter to demonstrate their power shows an unbroken arc
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along the edge of the water like a second beach beside the darker beach.
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All day every day they sat there remembering, comparing notes, measuring
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what was happening now by what had happened before. They put together
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pieces of the historical puzzle the way people used to do crosswords and we
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had to work overtime to stay a step ahead. The long view of the Elder Sub-
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Hump undermined satisfaction with the present. They preferred a different,
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less helpful way of looking at things.
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When the drums of the Department of System Integration, formerly the
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Managed Affairs and Perception Office, began to beat loudly to rouse the
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population of our crowded earth to a fury against the revolutionary Martian
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colonists who shot their resupplies into space rather than pay taxes to the
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earth, we thought we would have the support of the Elder Sub-Hump. Instead
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they pushed the drumming into the background and recalled through numerous
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conversations the details of past conflicts, creating a memory net that
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destabilized the official Net. Their case for why our effort was doomed was
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air-tight, but that wasn't the problem. We didn't mind the truth being out
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there so long as no one connected it to the present. The problem was that
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so many people knew it because the Elder Sub-Hump wouldn't shut up. That
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created a precedent and the precedent was the problem.
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Long-term memory, we realized, was subversive of the body politic.
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Where had we gotten off course? We had led the culture to skew toward
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youth because youth have no memory in essence, no context for judging
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anything. Their righteousness is in proportion to their ignorance, as it
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should be. But the Elder Sub-Hump skewed that skew.
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We launched a campaign against the seditious seniors. Because there
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were so many of them, we had to use ridicule. The three legs of the stool
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of cover and deception operations are illusion, misdirection, and ridicule,
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but the greatest of these is ridicule. When the enemy is in plain sight,
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you have to make him look absurd so everything he says is discredited. The
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UFO Campaign of the twentieth century is the textbook example of that
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strategy. You had fighter pilots, commercial pilots, credible citizens all
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reporting the same thing from all over the world, their reports agreeing
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over many decades in the small details. So ordinary citizens were subjected
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to ridicule. The use of government owned and influenced media like
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newspapers (including agency-owned-and-operated tabloids) and television
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networks made people afraid to say what they saw. They came to disbelieve
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their own eyes so the phenomena could hide in plain sight. Pretty soon no
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one saw it. Even people burned by close encounters refused to believe in
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their own experience and accepted official explanations.
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We did everything possible to make old people look ridiculous. Subtle
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images of drooling fools were inserted into news stories, short features
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showed ancients playing inanely with their pets, the testimony of confused
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seniors was routinely dismissed in courts of law. Our trump card -
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entertainment - celebrated youth and its lack of perspective, extolling the
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beauty of young muscular bodies in contrast with sagging-skin bags of bones
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who paused too long before they spoke. We turned the book industry inside
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out so the little bit that people did know was ever more superficial. The
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standard for excellence in publishing became an absence of meaningful text,
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massive amounts of white space, and large fonts. Originality dimmed, and
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pretty soon the only books that sold well were mini-books of aphorisms
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promulgated by pseudo-gurus each in his or her self-generated niche.
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Slowly the cognitive functioning of the Hump degraded until abstract
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or creative thought became marks of the wacky, the outcast, and the
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impotent.
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Then the unexpected happened, as it always will. Despite our efforts,
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the Nostalgia Riots broke out one hot and steamy summer day. Govvies moved
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on South Florida with happy gas, trying to turn the rampaging populace into
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one big smiley face, but the seniors went berserk before the gas - on top
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of pills, mind you, chemicals in the water, and soporific stories in the
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media - took effect. They tore up benches from the Everglades to Tampa/St.
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Pete and made bonfires that made the forest fires of '64 look like
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fireflies. They smashed store windows, burned hovers, and looted amusement
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parks along the Hundred-Mile-Boardwalk. Although the Youthful Sub-Hump was
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slow to get on board, they burned white-hot when they finally ignited,
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racing through their shopping worlds with inhuman cold-blooded cries. A
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shiver of primordial terror chilled the Hump from end to end.
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That a riot broke out was not the primary problem. Riots will happen
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and serve many good purposes. They enable us to reinforce stereotypes,
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enact desirable legislation, and discharge unhelpful energies. The way we
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frame analyses of their causes become antecedents for future policies and
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police actions. We have sponsored or facilitated many a useful riot. No,
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the problem was that the elders' arguments were based on past events and if
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anybody listened, they made sense. That's what tipped the balance. Youth
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who had learned to ignore and disrespect their elders actually listened to
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what they were saying. Pretending to think things through became a fad. The
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young sat on quasi-elder-benches from Key Largo to Saint Augustine,
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pretending to have thoughtful conversations about the old days. Coffee
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shops came back into vogue. Lingering became fashionable again. Earth had
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long ago decided to back down when the Martians declared independence, so
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it wasn't that. It was the spectacle of the elderly strutting their stuff
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in a victory parade that stretched from Miami Beach to Biloxi that imaged a
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future we could not abide.
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Even before the march, we were working on solving the problem. Let
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them win the battle. Martians winning independence, old folks feeling their
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oats, those weren't the issues. How policy was determined was the issue.
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Our long-term strategy focused on winning that war.
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Beyond the Chomsky Chutes
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The first thing we did was review the efficacy of Chomsky Chutes.
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Chomsky Chutes are the various means by which current events are
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dumped into the memory hole, never to be remembered again. Intentional
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forgetting is an art. We used distraction, misdirection - massive, minimal
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and everything in-between, truth-in-lie-embedding, lie-in-truth-embedding,
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bogus fronts and false organizations (physical, simulated, live and on the
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Net). We created events wholesale (which some call short-term memory
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crowding, a species of buffer overflow), generated fads, fashions and
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movements sustained by concepts that changed the context of debate. Over in
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the entertainment wing, the most potent wing of the military-industrial-
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educational-entertainment complex, we invented false people, characters
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with made-up life stories in simulated communities more real to the Hump
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than family or friends. We revised historical antecedents or replaced them
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entirely with narratives you could track through several centuries of
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buried made-up clues. We sponsored scholars to pursue those clues and
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published their works and turned them into minipics. Some won Nobel Prizes.
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We invented Net discussion groups and took all sides, injecting half-true
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details into the discourse, just enough to bend the light. We excelled in
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the parallax view. We perfected the Gary Webb Gambit, using attacks by
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respectable media giants on independent dissenters, taking issue with
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things they never said, thus changing the terms of the argument and
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destroying their credibility. We created dummy dupes, substitute generals
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and politicians and dictators that looked like the originals in videos,
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newscasts, on the Net, in covertly distributed underground snaps, many of
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them pornographic. We created simulated humans and sent them out to play
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among their more real cousins. We used holographic projections,
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multispectral camouflage, simulated environments and many other stratagems.
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The toolbox of deception is bottomless and if anyone challenged us, we
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called them a conspiracy theorist and leaked details of their personal
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lives. It's pretty tough to be taken seriously when your words are
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juxtaposed with a picture of you sucking some prostitute's toes. Through
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all this we supported and often invented opposition groups because
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discordant voices, woven like a counterpoint into a fugue, showed the world
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that democracy worked. Meanwhile we used those groups to gather names,
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filling cells first in databases, then in Guantanamo camps.
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Chomsky Chutes worked well when the management of perception was at
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top-level, the level of concepts. They worked perfectly before chemicals,
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genetic-enhancements and bodymods had become ubiquitous. Then the balance
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tipped toward chemicals (both ingested and inside-engineered) and we saw
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that macro strategies that addressed only the conceptual level let too many
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percepts slip inside. Those percepts swim around like sperm and pattern
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into memories; when memories are spread through peer-to-peer nets, the
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effect can be devastating. It counters everything we do at the macro level
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and creates a subjective field of interpretation that resists
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socialization, a cognitively dissonant realm that's like an itch you can't
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scratch, a shadow world where "truths" as they call them are exchanged on
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the Black Market. Those truths can be woven together to create alternative
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realities. The only alternative realities we want out there are ones we
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create ourselves.
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We saw that we needed to manage perception as well as conception.
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Given that implants, enhancements, and mods were altering human identity
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through everyday life - routine medical procedures, prenatal and geriatric
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care, plastic surgery, eye ear nose throat and dental work, all kinds of
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pharmacopsychotherapies - we saw the road we had to take. We needed to
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change the brain and its secondary systems so that percepts would filter in
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and filter out as we preferred. Percepts - not all, but enough - would be
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pre-configured to model or not model images consistent with society's
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goals.
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Using our expertise in enterprise system programming and management,
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we correlated subtle changes in biochemistry and nanophysiology to a macro
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plan calibrated to statistical parameters of happiness in the Hump. Keeping
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society inside those "happy brackets" became our priority.
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So long as changes are incremental, people don't notice. Take
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corrective lenses, for example. People think that what they see through
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lenses is what's "real" and are trained to call what their eyes see
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naturally (if they are myopic, for example) a blur. In fact, it's the other
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way around. The eyes see what's natural and the lenses create a simulation.
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Over time people think that percepts mediated by technological enhancements
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are "real" and what they experience without enhancements is distorted.
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It's like that, only inside where it's invisible.
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It was simply a matter of working not only on electromechanical
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impulses of the heart, muscles, and so on as we already did or on altering
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senses like hearing and sight as we already did or on implanting devices
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that assisted locomotion, digestion, and elimination as we already did but
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of working directly as well on the electrochemical wetware called the
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memory skein or membrane, that vast complex network of hormonal systems and
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firing neurons where memories and therefore identity reside. Memories are
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merely points of reference, after all, for who we think we are and
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therefore how we frame ourselves as possibilities for action. All
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individuals have mythic histories and collective memories are nothing but
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shared myths. Determining those points of reference determines what is
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thinkable at every level of society's mind.
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Most of the trial and error work had been done by evolution. Our task
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was to infer which paths had been taken and why, then replicate them for
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our own ends.
|
|
Short term memory, for example, is wiped out when a crisis occurs.
|
|
Apparently whatever is happening in a bland sort of ho-hum way when a tiger
|
|
attacks is of little relevance to survival. But reacting to the crisis is
|
|
important, so we ported that awareness to the realm of the body politic.
|
|
Everyday life has its minor crises but pretty much just perks along. We
|
|
adjusted our sensors to alert us earlier when the Hump was paying too much
|
|
attention to some event that might achieve momentum or critical mass; then
|
|
we could release that tiger, so to speak, creating a crisis that got the
|
|
adrenalin pumping and wiped out whatever the Hump had been thinking. After
|
|
the crisis passed - and it always did, usually with a minimal loss of life
|
|
- the Hump never gave a thought to what had been in the forefront of its
|
|
mind a moment before.
|
|
Once the average lifespan reached a couple of hundred years, much of
|
|
what people remembered was irrelevant or detrimental. Who cared if there
|
|
had been famine or drought a hundred and fifty years earlier? Nobody! Who
|
|
cared if a war had claimed a million lives in Botswana or Tajikistan
|
|
(actually, the figure in both cases was closer to two million)? Nobody!
|
|
What did it matter to survivors what had caused catastrophic events? It
|
|
didn't. And besides, the military-industrial-educational-entertainment
|
|
establishment was such a seamless weld of collusion and mutual self-
|
|
interest that what was really going on was never exposed to the light of
|
|
day anyway. The media, the fifth column inside the MIEE complex, filtered
|
|
out much more than was filtered in, by design. Even when people thought
|
|
they were "informed," they didn't know what they were talking about.
|
|
See, that's the point. People fed factoids and distortions don't know
|
|
what they're talking about anyway, so why shouldn't inputs and outputs be
|
|
managed more precisely? Why leave anything to chance when it can be
|
|
designed? We knew we couldn't design everything but we could design the
|
|
subjective field in which people lived and that would take care of the
|
|
rest. That would determine what questions could be asked which in turn
|
|
would make the answers irrelevant. We had to manage the entire enterprise
|
|
from end to end.
|
|
Now, this is the part I love, because I was in on the planning from
|
|
the beginning. We remove almost nothing from the memory of the collective!
|
|
But we and we alone know where everything is stored! Do you get it? Let me
|
|
repeat. Almost all of the actual memories of the collective, the whole
|
|
herdlike Hump, are distributed throughout the population, but because they
|
|
are staggered, arranged in niches that constitute multisided life, and news
|
|
is managed down to the level of perception itself, the people who have the
|
|
relevant modules never plug into one another! They never talk to each
|
|
other, don't you see! Each niche lives in its own deep hole and even when
|
|
they find gold nuggets they don't show them to anybody. If they did, they
|
|
could reconstruct the original narrative in its entirety, but they don't
|
|
even know that!
|
|
Isn't that elegant? Isn't that a sublime way to handle whiny neo-
|
|
liberals who object to destroying fundamental elements of collective
|
|
memory? We can show them how it's all there but distributed by the
|
|
sixtysixfish algorithm. That algorithm, the programs that make sense of its
|
|
complex operations, and the keys to the crypto are all in the hands of the
|
|
Masters.
|
|
I love it! Each Humpling has memory modules inserted into its
|
|
wetware, calibrated to macro conceptions that govern the thinking and
|
|
actions of the body politic. Because they don't know what they're missing,
|
|
they don't know what they're missing. We leave intact the well-distributed
|
|
peasant gene that distrusts strangers, changes, and new ideas, so if some
|
|
self-appointed liberator tries to tell them how it works, they snarl or
|
|
remain sullen or lower their eyes or eat too much or get drunk until they
|
|
forget why they were angry.
|
|
At the same time, we design a memory web that weaves people into
|
|
communities that cohere, spun through vast amounts of disconnected data.
|
|
Compartmentalization handles all the rest. The Hump is overloaded with
|
|
memories, images, ideas, all to no purpose. We keep fads moving, quick
|
|
quick quick, and we keep the Hump as gratified and happy as a pig in its
|
|
own defecation.
|
|
|
|
|
|
MemoRacer, Master Hacker
|
|
|
|
Of course, there are misfits, antisocial criminals and hackers who
|
|
want to reconstitute the past. We devised an ingenious way to manage them
|
|
too. We let them have exactly what they think they want.
|
|
MemoRacer comes to mind when we talk about hackers. MemoRacer flipped
|
|
through niches like an asteroid through the zero-energy of space. He lived
|
|
in a niche long enough to learn the parameters by which the nichelings
|
|
thought and acted. Then he became invisible, dissolving into the
|
|
background. When he grew bored or had learned enough, he flipped to the
|
|
next niche or backtracked, sometimes living in multiple niches and changing
|
|
points of reference on the fly. He was slippery and smart, but he had an
|
|
ego and we knew that would be his downfall.
|
|
The more he learned, the more isolated he became. The more he
|
|
understood, the less he could relate to those who didn't. Understand too
|
|
much, you grow unhappy on that bench listening to your neighbors' prattle.
|
|
It becomes irritating. MemoRacer and his kind think complexity is
|
|
exhilarating. They find differences stimulating and challenging. The Hump
|
|
doesn't think that way. Complexity is threatening to the Hump and
|
|
differences cause anxiety and discomfort. The Hump does not like anxiety
|
|
and discomfort.
|
|
MemoRacer (his real name was George Ruben, but no one remembers that)
|
|
learned in his flipping that history was more complex than anyone knew.
|
|
That was not merely because he amassed so many facts, storing them away on
|
|
holodisc and drum as trophies to be shown to other hackers, but because he
|
|
saw the links between them. He knew how to plug and play, leverage and
|
|
link, that was his genius. Because he didn't fit, he called for revolution,
|
|
crying out that "Memories want to be free!" I guess he meant by that vague
|
|
phrase that memories had a life of their own and wanted to link up somehow
|
|
and fulfill themselves by constituting a person or a society that knew who
|
|
it was. In a society that knows who it is precisely because it has no idea
|
|
who it is, that, Mister Master Hacker, is subversive.
|
|
Once MemoRacer issued his manifesto on behalf of historical
|
|
consciousness, he became a public enemy. We could not of course say that
|
|
his desire to restore the memory of humankind was a crime. Technically, it
|
|
wasn't. His crime was undermining the basis of transplanetary life in the
|
|
twenty first century. His crime was disturbing the peace.
|
|
He covered his tracks well. MemoRacer blended into so many niches so
|
|
well that each one thought he belonged. But covering your tracks ninety-
|
|
nine times isn't enough. It's the hundredth time, that one little slip,
|
|
that tells us who and where you are.
|
|
MemoRacer grew tired and forgetful despite using more Perkup than a
|
|
waking-state addict - as we expected. The beneficial effects of Perkup
|
|
degrade over time. It was designed that way so no one could be aware
|
|
forever. That was the failsafe mechanism pharms had agreed to build in as a
|
|
back door. All we had to do was wait.
|
|
The niche in which he slipped up was the twenty-third business
|
|
clique. This group of successful low-level managers and small manufacturers
|
|
were not particularly creative but they worked long hours and made good
|
|
money. MemoRacer forgot that their lack of interest in ideas, offbeat
|
|
thinking, was part of their psychic bedrock. Their entertainment consisted
|
|
of golf, eating, drinking, sometimes sex, then golf again. They bought
|
|
their fair share of useless goods to keep society humming along, consumed
|
|
huge quantities of resources to build amusement parks, golf courses, homes
|
|
with designer shrubs and trees. In short, they were good citizens. But they
|
|
had little interest in revolutionary ideas and George Ruben, excuse me,
|
|
MemoRacer forgot that during one critical conversation. He was tired, as I
|
|
said, and did not realize it. He had a couple of drinks at the club and
|
|
began declaiming how the entire history of the twentieth century had been
|
|
stolen from its inhabitants by masters of propaganda, PR, and the national
|
|
security state. The key details that provided context were hidden or lost,
|
|
he said. That's how he talked at the nineteenth hole of the Twenty-Third
|
|
Club! trying to get them all stirred up about something that had happened a
|
|
century earlier. Even if it was true, who cared? They didn't. What were
|
|
they supposed to do about it? MemoRacer should have known that long delays
|
|
in disclosure neutralize even the most shocking revelations and render
|
|
outrage impotent. People don't like being made to feel uncomfortable at
|
|
their contradictions. People have killed for less.
|
|
One of the Twenty Third complained about his rant to the Club
|
|
Manager. He did so over a holophone. Our program, alert for anomalies,
|
|
caught it. The next day our people were at the Club, better disguised than
|
|
MemoRacer would ever be, observing protocols - i.e. saying nothing
|
|
controversial, drinking too much, and insinuating sly derogatory things
|
|
about racial and religious minorities - and learned what they needed to
|
|
know. They scraped the young man's DNA from the chair in which he had been
|
|
sitting and broadcast the pattern on the Net. Genetic markers were scooped
|
|
up routinely the next day and when he left fingerskin on a lamp-post around
|
|
which he swung in too-tired up-too-long jubilation (short-lived, I can tell
|
|
you) in the seventy-seven Computer Club niche, he was flagged. When he left
|
|
the meeting, acting like one of the geeky guys, our people were waiting.
|
|
We do this for a living, George. We are not amateurs.
|
|
MemoRacer taught us how to handle hackers. He wanted to live in the
|
|
past, did he? Well, that's where he was allowed to live - forever.
|
|
Chemicals and implants worked their magic, making him incapable of
|
|
living in the present. When he tried to focus on what was right in front of
|
|
his eyes, he couldn't see it. That meant that he sounded like a blithering
|
|
idiot when he tried to speak with people who lived exclusively in the
|
|
present. MemoRacer lived in a vast tapestry of historical understanding
|
|
that he couldn't connect in any meaningful way to the present or the lived
|
|
experience of people around him.
|
|
There is an entire niche now of apprehended hackers living in the
|
|
historical past and exchanging data but unable to relate to contemporary
|
|
niches. It's a living hell because they are immensely knowledgeable but
|
|
supremely impotent and know it. They teach seminars at community centers
|
|
which we support as evidence of our benevolence and how wrong they are to
|
|
hate us.
|
|
You want to know about the past? By all means! There's a seminar
|
|
starting tomorrow, I say, scanning my planner. What's your interest? What
|
|
do you want to explore? Twentieth century Chicago killers? Herbal medicine
|
|
during the Ming Dynasty? Competitive intelligence in Dotcom Days? Pick
|
|
your poison!
|
|
And when they leave the seminar room, vague facts tumbling over one
|
|
another in a chaotic flow to nowhere, they can't connect anything they have
|
|
heard to their lives.
|
|
So everybody pretty much has what they want or at least what they
|
|
need, using the benchmarks we have established as the correct measures for
|
|
society. The Hump is relatively happy. The dregs skulk about as reminders
|
|
of a mythic history we have invented that everyone fears. People perceive
|
|
and conceive of things in helpful and useful ways and act accordingly. And
|
|
when we uplink to nets around all the planets and orbiting colonies,
|
|
calling the roll on every niche in the known universe, it always comes out
|
|
right. Everybody is present. Everybody is always present.
|
|
Just the way we like it.
|
|
|
|
|
|
# # # # #
|
|
|
|
|
|
|=-----------------------------------------------------------------------=|
|
|
|=-----------------------------------------------------------------------=|
|
|
|=-----------------------------------------------------------------------=|
|
|
|
|
|
|
The Geometry of Near
|
|
|
|
By
|
|
|
|
Richard Thieme
|
|
|
|
|
|
It's nobody's fault. Honest. It's just how it is.
|
|
The future came earlier than expected. They kicked it around for
|
|
years but never knew what they had. By the time they realized what it was,
|
|
it was already broken. Broken open, I should say. Even then, looking at the
|
|
pieces of the egg and wondering where the bird had flown, they didn't know
|
|
how to say what it was. The words they might have used had broken too.
|
|
Now it's too late. The future is past.
|
|
It was too far. They can't see far. They can only see near.
|
|
Me and my friends, we see far, but we see near, too. It's linking
|
|
near and far in fractal spirals that makes a multi-dimensional parallax
|
|
view, providing perspective. It's not that we have better brains than our
|
|
Moms and Pops, but hey, we were created in the image of the net and we know
|
|
it. They live it, everybody has to live it now, but they still don't know
|
|
it.
|
|
Look at my Mom and Pop on a Thursday night in the family room. You'll
|
|
see what I mean.
|
|
They are sitting in front of the big screen digital television set
|
|
watching a sitcom. The program is "Friends." Mom calls the six kids, the
|
|
six young people excuse me, "our friends." They've been watching the show
|
|
for years and know the characters better than any of the neighbors. The
|
|
only reason they know the neighbors at all is because I programmed a
|
|
scanner to pick up their calls. At first they said, how terrible, don't you
|
|
do that. Then they said, what did she say? Did she really say that? Then
|
|
they left it on, listening to cell calls from all over the city, drug deals
|
|
("I'm at the ATM, come get your stuff"), sex chat ("I'm sitting at your
|
|
desk, my feet on the edge, touching myself"), trivia mostly, and once in a
|
|
while the life of a house down the street broadcasting itself through a
|
|
baby monitor.
|
|
The way they reacted to that, the discovery that walls aren't walls
|
|
anymore, reminded me of a night when I told some kids it was time to feed a
|
|
live mouse to Kurtz, my boa constrictor. Oh, how horrible! they cried. Oh,
|
|
I can't watch! Then they lined up at the tank, setting up folding chairs to
|
|
be sure they could see the mouse trembling, the sudden strike, the big
|
|
squeeze. They gaped as the hingeless jaw dropped and Kurtz swallowed the
|
|
dead mouse. They waited for the tip of its tail to disappear into his mouth
|
|
before getting up saying yuuuchhh! That's gross!
|
|
People in the neighborhood only became real to Mom and Pop when I
|
|
made them digital, don't you see, when I put them on reality radio. Only
|
|
when I turned the neighbors into sitcom characters did Mom and Pop have a
|
|
clue. When they hacked the system in other words.
|
|
That's what hacking is, see. It's not hunching over your glowing
|
|
monitor in your bedroom at three in the morning cackling like Beavus or
|
|
Butthead while you break into a bank account - although sometimes it is
|
|
that too - it's more of a trip into the tunnels into the sewers into the
|
|
walls where the wires run and the pipes and you can see how things work.
|
|
It's hitting a wall and figuring out how to move through it. How to become
|
|
invisible, how to use magic. How to cut the knot, solve the puzzle, move to
|
|
the next level of the game. It's seeing how shit we dump relates to people
|
|
who think they don't dump shit and live as if. It's seeing how it all fits
|
|
together.
|
|
"Our friends." Said as if she means it. I mean, is that pathetic or
|
|
what?
|
|
The theme music is too loud as they sink down in overstuffed chairs
|
|
and turn the volume even higher with a remote I had to program so they
|
|
could use it. Their lives seldom deviate more than a few inches from the
|
|
family room. Put the point of a compass down on the set and you can draw a
|
|
little circle that circumscribes their lives. Everything they know is
|
|
inside that circle. Two dimensions, flat on its back.
|
|
The geometry of near.
|
|
Those are my friends, Mom says with a laugh for the umpteenth time.
|
|
The commercial dissolves and expectations settle onto the family room like
|
|
the rustling wings of twilight. The acting is always overdone, they mug and
|
|
posture too much, the laugh tracks are too loud. The characters say three,
|
|
maybe four hundred words in half an hour, barely enough to hand in to an
|
|
English teacher on a theme, but more than enough to build a tiny world like
|
|
a doll's house inside a million heads. Those scripted words and intentional
|
|
gestures sketch out the walls of houses, the edges of suburban lots, the
|
|
city limits of their lives, all inside their heads. Hypnotized, they stare
|
|
at the screen for hours, downloading near vistas, thinking they have a
|
|
clue.
|
|
In family rooms all over the world, drapes closed and lights low,
|
|
people sit there scratching while they watch, most eat or drink something,
|
|
and some masturbate. Some get off on Rachel, some Monica. Gays like Joey.
|
|
Bloat-fetishists go for Chandler. I don't know who gets off on Ross. I do
|
|
know, though, that all over the world there are rooms smelling of pizza,
|
|
beer and semen. Some clean up the food they spill before the show is over
|
|
and some leave it. Some come into a napkin and ball it up and put it on a
|
|
table until a commercial but some take it straight to the garbage and wash
|
|
their hands on the way back. Funny. They beat off to a fantasy character as
|
|
sketchy as a cartoon but wash their hands before coming back from the
|
|
commercial. After sitting there for all those hours, they ought to wash out
|
|
their souls with soap, not their hands.
|
|
Everybody masturbates, actually. That's what it means to watch these
|
|
shows. People get off on a fantasy and pretend the emptiness fills them up
|
|
so they do it again. And again.
|
|
Who writes these scripts, anyway? People who have lost their souls,
|
|
obviously. These people have no self. They put it down somewhere then
|
|
forgot where they put it. They are seriously diminished humans.
|
|
But hey, this is not a rant about people who sell their souls. That's
|
|
true of everybody who lives in a world of simulations and doesn't know it.
|
|
Those who know it are masters, their hands on the switches that control the
|
|
flow of energy and information. Those gates create or negate meaning,
|
|
modify or deny. Me and my friends we control the flow. The difference is
|
|
all in the knowing and knowing how.
|
|
But that's not what we were fighting about. We were fighting about
|
|
real things.
|
|
I just read an army paper some colonel wrote critiquing the army for
|
|
thinking backwards. Thinking hierarchically, he said, thinking in terms of
|
|
mechanistic warfare. The writer self-styling himself a modern insightful
|
|
thinker, Net-man, an apostle of netcentric warfare, a disciple of the
|
|
digerati.
|
|
It's always colonels, right? trying to get noticed. The wisdom of the
|
|
seminar room. Talk about masturbation. They write for the same journals
|
|
they read, it's one big circle jerk. They never call each other on their
|
|
shit, that's the deal, not on the real stuff, but they can't fool us all
|
|
the time. Just some of the people some.
|
|
It's funny, see, the colonel talks about hierarchies and nets but
|
|
this guy's obviously Hierarchy Man, he lives in a pyramid, he can't help
|
|
it. He has the fervor of a convert who suddenly saw the blinding light, saw
|
|
that he had been living in the near, but all he can do is add on, not
|
|
transform. An extra bedroom, a new bathroom, is not a new floorplan. The
|
|
guy is excited, sure, he had a vision that blew his mind, but he thought
|
|
that meant he could live there and he can't. Seeing may be believing but
|
|
that's about all. The future is past, like I said. The evidence is guys
|
|
like that writing stuff like that. Those of us who have lived here all of
|
|
our lives, who never lived anywhere else, we can see that. He's a mummy
|
|
inside a pyramid looking out through a chink in a sealed tomb. That's why
|
|
we laugh, because he can't see himself trailing bandages through the dusty
|
|
corridors. New converts always look funny to people who live on the distant
|
|
shore where they just arrived, shipwrecked sailors ecstatic to feel the
|
|
sand under their feet. They think it's bedrock but it's quicksand..
|
|
Here's an example. Go downstairs and go into the kitchen where
|
|
another television set records the President's speech. (I had to show them
|
|
how to do that too.)
|
|
When we watch it together later, I point out that it's not really the
|
|
president, not really a person, it's only an image in pixels, a digital
|
|
head speeching in that strange jerky way he has so when you try to connect,
|
|
you can't. You think you get the beat but then there's a pause, then a
|
|
quick beat makes you stumble trying to synchronize. It's how his brain
|
|
misfires, I think. I think he did that doing drugs, maybe drinking. He was
|
|
in and out of rehab and who the hell knows what he did to himself. Of
|
|
course the Clintons did coke and all kinds of shit. Anyway he is talking to
|
|
people who are eating and drinking and masturbating, not even knowing it,
|
|
hands alive and mobile in their pockets, getting off on his projected power
|
|
and authority. He talks about "our country" and I laugh. Pop shoots me a
|
|
glare because he doesn't have a clue. Pop thinks he lives in a country.
|
|
Because the prez keeps saying "our country" and "this nation" and shit like
|
|
that. But countries are over. Countries ended long ago. This president or
|
|
his dad made money from oil or wherever else they put money to make money.
|
|
Millions of it, more than enough to keep the whole family in office for
|
|
generations. They have this veneer of patricians but their hands are
|
|
dripping with blood. His grand-dad too, look it up. They taught evil people
|
|
how to torture, kill, terrorize, but they wear this patrician veneer and
|
|
drip with self- righteousness, always talking about religion. It is so
|
|
dishonorable. Yet this semi-literate lamer, this poser, we honor, his
|
|
father the chief of the secret police, his brother running his own state,
|
|
this brain-damaged man who can't connect with himself or anyone else, his
|
|
words spastic like bad animation out of synch with that smug smirk, this
|
|
man we honor? Give me a fucking break.
|
|
Anyway, he isn't really there, it's all pixels, that's the point. The
|
|
same people who made "Friends" and made that mythical neighborhood bar and
|
|
made that mythical house on the mythical prairie created him too out of
|
|
whole cloth. So people sit there and scratch, eat drink and masturbate,
|
|
getting off on the unseen artifice of it all. And these people they have
|
|
made, these people who project power, they all have their own armies, see,
|
|
they have their own security forces, their own intelligence networks. They
|
|
have to because countries ended and they realized that those who are like
|
|
countries, forgive me, like countries used to be, now must act like
|
|
countries used to act. They have their own banks and they even have their
|
|
own simulated countries. Some Arabs bought Afghanistan, the Russian mafia
|
|
bought Sierra Leone, they own Israel too, can I say that without being
|
|
called an anti-Semite? These people in their clouds of power allow
|
|
countries to pretend to exist and download simulations of countries into
|
|
the heads of masturbating scratchers because it works better to have
|
|
zombies. So people who think they live in countries can relate to what they
|
|
think are countries inside their heads. Zombies thinking they are "citizens
|
|
of countries" because they can't think anything else, because they live
|
|
inside the walls of the doll's house in their heads. "I am a citizen of
|
|
this country," says the zombie, feeling safe and snug inside a non-existent
|
|
house in the non-space of his programmed brain. All right then, where is
|
|
it? The zombie says here, there, pointing to the air like grandma after
|
|
surgery pointed to hallucinations, telling them to get her a glass of
|
|
water, telling them to sit down and stop making her nervous. It's all
|
|
dribble-glass stuff, zombies in Newtonian space that ended long ago; they
|
|
stare through the glass at the quantum cloud-cuckoo land the rest of us
|
|
live in, calling it the future. Mistaking space for time the way that
|
|
colonel inside his pyramid thinks he's net-man.
|
|
People who live in clouds of power live behind tall walls, taller
|
|
than you can imagine. We never really see what's behind those walls.
|
|
Zombies never climb those walls because of the private armies. Their
|
|
"security forces" would have a zombie locked up in a heartbeat if he tried.
|
|
|
|
On the network when we take over thousands of machines and load
|
|
trojans letting them sit there until we are ready to use them in a massive
|
|
attack, we call them zombies. The zombies are unaware what is happening to
|
|
them. We bring them to life and they rise from their graves and march.
|
|
Those are our clouds of power, tit for tat. Mastering the masters.
|
|
Meanwhile Moms and Pops sit in their chairs not knowing that trojans
|
|
are being downloaded into their brains. The code is elegant, tight, fast.
|
|
Between the medium in which the code is embedded and the television or
|
|
network that turns it into illusions of real people, real situations, the
|
|
sleight of hand is so elegant, enticing bird-like Moms and Pops into
|
|
digital cages. The when they move the cages, the birds move too. They give
|
|
the birds enough room to flap their wings so they think they're free.
|
|
This is what it looks like.
|
|
Jerome K. Dumbass, say, a zombie with one third of a clue, decides
|
|
to eliminate a CEO who made him lose his house, his job, all his stock
|
|
options. The buyer did not know how to beware any more than zombies know
|
|
how to avoid the download. The guy was sucked into the force field of greed
|
|
while the CEO stashed his loot in a house he could keep. Pays the people to
|
|
make laws to let him keep a huge house that no one can take even after his
|
|
term in a country club. Dumbass wants to kill the CEO which is entirely
|
|
understandable. So he climbs the wall and drops down onto the other side,
|
|
twisting his ankle.
|
|
The circuit breaks the minute he touches the wall, cameras swing into
|
|
action, pick him up before he can say "Ow!" Dogs bark and come closer,
|
|
baying and barking. Camera zooms. A close-up shows his face twisted with
|
|
pain. Then fear. Dumbass drags his game leg after him, dogs bay and bark
|
|
closer, louder now. Jeezus! his stupid face says as he hobbles through
|
|
flowers and shrubs some of them cameras some of them alarms into the arms
|
|
of waiting goons. The goons are bigger than pro tackles - excuse me, I'm
|
|
explaining one simulation in terms of another. How foolish is that? But
|
|
that's what we do, use words to explain words, simulations explaining same.
|
|
You don't know a single linebacker do you? But you think of them as your
|
|
friends, too, don't you? Anyway, a thug grabs Dumbass by the belt, twisting
|
|
his belt and pants in his hand, his other hand crimping the back of his
|
|
neck like a robot's claw. Dumbass cries out but there's no one to hear.
|
|
Everyone is busy scratching and eating and drinking and masturbating to the
|
|
dreamtime rhythm of the night.
|
|
They drag him into a room behind the cabanas along the landscaped
|
|
pools and Jacuzzis. It's dark in there. They throw him against the wall and
|
|
he bounces off and lies in the scatter and dirt. Looks up and sees a boot
|
|
coming. That's that. Out he goes.
|
|
He comes around in a minute, dizzy, in pain, blood from his broken
|
|
nose on his shirt. Whomp! The goon's hand slaps him, then backhands him,
|
|
winds up for a forehand and whacks him back to center. "Stop!" he screams
|
|
but instead the thug just whacks him back and forth like a bobblehead,
|
|
wanting him to understand the foolishness of his indiscretion, don't you
|
|
see. Imposing power on the dumbass on behalf of his master. So Dumbass can
|
|
internalize the experience, feel utterly powerless, spread the word. Tell
|
|
your buddies that you do not climb - whack! - that - whack! - wall.
|
|
Somewhere in his twinkie brain it dawns on him that no one knows he
|
|
is here. Sure, they call the "real" cops after a while, but these guys are
|
|
real enough, mugging him in the toolshed. No one knows he is here and
|
|
wouldn't care if they did. The so-called news shows handle that, turning
|
|
Dumbass into the Other. Everybody cheers as they beat his brains out. Then
|
|
the "real" police come and take over, beating him up in the van on the way
|
|
to the station, having fun as long as the ride takes, bouncing him off the
|
|
walls.
|
|
Now, this is my point: the armies that this man has, this man whose
|
|
face you have not even seen, you never do see, you only see manifestations
|
|
of clouds of power, this man's armies are created in the image of the net.
|
|
Once we no longer had countries but only the pretense of countries, those
|
|
who inhabited clouds of power took the game to the next level. These armies
|
|
are simply not seen. They are hidden in the faux shrubs designed to
|
|
distract us. When boundaries dissolved, clouds of power emerged all over
|
|
the world. They are accountable only to themselves, i.e. not. Clouds are
|
|
not countries, clouds are water vapor condensing, as visible and
|
|
insubstantial as mist. We too are mist but we believe in our shapes as they
|
|
change. The clouds in a way are not there, really. Except they are. But try
|
|
to tell that to a zombie, tell them they live in a cloud and see what they
|
|
say.
|
|
Now take this entire scenario and blow it up. Imagine a country with
|
|
borders drawn in black. Then imagine a mouth blowing a pink bubble and the
|
|
bubble bursting obliterating borders and then there's a pink cloud instead
|
|
of the little wooden shapes of states or countries they used to play with
|
|
when they were kids. Bubblegum splatters all over the world creating cloud-
|
|
places that have no names. They are place markers until names are invented.
|
|
These are the shapes kids play with now, internalizing the difference.
|
|
Try telling that to zombies, though. They sit there listening as
|
|
sitcoms and so-called reality shows and faux news put them into a deep
|
|
sleep. Images of unreality filter into their brains and define their lives.
|
|
Tiny images, seen near, seem big. Seem almost lifelike. Inside these
|
|
miniature worlds, Moms and Pops believe they are far-seeing, thinking they
|
|
think. Because they are told that near is far and little is big and so it
|
|
is.
|
|
Back to the example. Dumbass is done getting beaten up in the shed
|
|
behind the bougainvillea and hibiscus. Let's press that a little. That's
|
|
what neighborhoods have become, whole used-to-be-called countries. That's
|
|
what societies have become, entire civilizations. Do you see, now? The map
|
|
in your head is a game board intended to replace reality, not a meaningful
|
|
map, it gives you manageable borders within which you watch and act in the
|
|
sitcom of your life, playing a role in a script written for other purposes
|
|
entirely.
|
|
That's why when you open your mouth, one of those times you wake up
|
|
long enough to talk about something you think is real, anyone who has a
|
|
clue laughs. It isn't personal, but it can't be helped. People who have a
|
|
clue laugh. We try to suppress it but a little titter becomes a giggle and
|
|
then a blast that explodes before you finish your first sentence.
|
|
That's what the fight was about. It wasn't personal.
|
|
See we see how silly it is, the way you think, what you think is
|
|
real. The only difference between our seeming rudeness and the compassion
|
|
of Buddhists who also see clearly is that somehow compassion did not
|
|
download from the net but the seeing did. We see what's so but without much
|
|
feeling. Certainly without much empathy. If we have too much empathy, it
|
|
sucks us in and then we're sunk. Besides, you're zombies. Zombies are not
|
|
real human beings. In the scripts they have written you do the same things
|
|
over and over again like a Marx Brothers movie. The script is boring and
|
|
predictable. That's how it manages so many people so well but that's also
|
|
what we think is funny. When you play out your roles without even knowing
|
|
it, naturally, we laugh.
|
|
It's not personal! Honest!
|
|
|
|
When I was twelve I ran a line out to the telephone cable behind the
|
|
house. I listened to the neighbors talk mostly about nothing until the
|
|
telephone company and a cop dropped by. I pleaded stupidity and youth and
|
|
Pop gave me a talk and I nodded and said yeah, right, never again. Those
|
|
were the good old days when hacking and phreaking were novelties and
|
|
penalties for kids were a slap on the wrist.
|
|
My favorite telephone sitcom was "The Chiropractor's Wife." That
|
|
woman she lived around the corner and lowered the narrowness bar beyond
|
|
belief. You see her on the street with her kids or walking that damned huge
|
|
dog of theirs, you wouldn't know it. She looked normal. On good days she
|
|
looked good even with her blonde hair down on her shoulders, smiling hello.
|
|
Still, she raised oblivious to the level of an art form.
|
|
I guess she was terrified. Her life consisted of barely coping with
|
|
two kids who were four and six I think and serving on a committee or two at
|
|
school like for making decorations for a Halloween party. Other than that,
|
|
near as I could tell, she talked to her mother and made dinner for the
|
|
pseudo-doc. Talked to her mother every day, sometimes for hours.
|
|
The conversation was often interrupted by long pauses. Well, the wife
|
|
would say. Then her mother would say, well. Then there might be silence for
|
|
twenty seconds. I am not exaggerating, I clocked it. Twenty-four seconds
|
|
was their personal best. That might not sound like much but in a telephone
|
|
conversation, it's eternity. Then they would go back over the same
|
|
territory. They were like prisoners walking back and forth in a shared
|
|
cell, saying the same things over and over. I guess it was mostly the need
|
|
to talk no matter what, drawing the same circles on a little pad of paper.
|
|
I imagined the wife making those circles on a doodle pad in different
|
|
colors and that's when I realized that people around me lived by a
|
|
different geometry entirely. How the landscape looks is determined by how
|
|
you measure distance. How far to the horizon. That's when I began to invent
|
|
theorems for a geometry of near.
|
|
Example.
|
|
Here in Wolf Cove there is the absolute silence of shuttered life.
|
|
The only noise we hear is traffic from the freeway far over the trees. We
|
|
have lots of trees, ravines, some little lakes. That's what it is, trees
|
|
and ravines and houses among the trees. That sound of distant traffic is
|
|
like holding a seashell up to your ear. It's the closest we come to having
|
|
an ocean. No one can park on the street so a car that parks is suspect. The
|
|
cops know everyone by sight so anyone different is stopped. The point I am
|
|
making is, Wolf Cove encloses trees and lakes and houses with gates of
|
|
silence, making it seem safe, but in fact it has the opposite effect. It
|
|
creates fear that is bone deep. It's like a gated community with real iron
|
|
gates and a rent-a-cop. It makes people inside afraid of what's outside so
|
|
no one wants to leave. It's like we built an electric fence like the kinds
|
|
that keep dogs inside except we're the dogs.
|
|
One day there was a carjacking at a mall ten miles away. Two guys did
|
|
it who looked like someone called central casting and said hey, send us a
|
|
couple of mean-looking carjacker types. They held a gun on a gray lady
|
|
driving a Lexus and left her hysterical in the parking lot. I knew the
|
|
telephone sitcom was bound to be good so I listened in on the wife and her
|
|
hold-me mother.
|
|
They talked for more than two hours, the wife saying how afraid she
|
|
was she wouldn't get decorations done for the Halloween party at the
|
|
school. She almost cried a couple of times, she was that close to breaking,
|
|
just taking care of a couple of kids and making streamers and a pumpkin
|
|
pie. But every now and again she said how afraid she was they'd take her
|
|
SUV at gunpoint next time she went shopping. The television had done its
|
|
job of keeping her frightened, downloading images of terrified victims
|
|
morning noon and night. Fear makes people manageable.
|
|
Finally the wife said, maybe we ought to move. I couldn't believe my
|
|
ears. I mean, she lived in Wolf Cove inside an electric fence, so where the
|
|
hell would she go? Her fears loomed in shadows on the screen of the world
|
|
like ghosts and ghouls at that Halloween party. Everywhere she looked, she
|
|
saw danger. Wherever there was a door instead of a wall, she felt a draft,
|
|
an icy chill, imagining it opening. She got out of bed and checked the
|
|
locks when everyone else was asleep. Once she had to go get something on
|
|
the other side of town and you would have thought she was going to the
|
|
moon. She went over the route on a map with her mother. Did she turn here?
|
|
Or here? She had a cell phone fully charged - she checked it twice - and a
|
|
full tank of gas, just in case. Just in case of what? So I wasn't surprised
|
|
when she said after the carjack that maybe they ought to move to Port
|
|
Harbor, ten miles north. Then her mother said, well. Then the wife said
|
|
well and then there was silence. I think I held my breath, sitting in my
|
|
bedroom listening through headphones. Then her mother said, well, you would
|
|
still have to shop somewhere.
|
|
Oh, the wife said. I hadn't thought of that.
|
|
The geometry of near.
|
|
So many people live inside those little circles, more here than most
|
|
places. I live on the net, I live online, I live out there. I keep the
|
|
bedroom door shut but the mindspace I inhabit is the whole world.
|
|
When I was eleven I found channels where I learned so much just
|
|
listening. I kept my mouth shut until I knew who was who, who was a lamer
|
|
shooting off his mouth and who had a clue. Then somebody asked a question I
|
|
knew and I answered politely and they let me in. I wasn't a lurker any
|
|
longer, but I took it easy, asking questions but not too many. I stayed up
|
|
late at Border's and other midnight bookstores, aisles cluttered with open
|
|
O'Reilly books, figuring out what I could before I asked. You have to do
|
|
the homework and you have to show respect. Once they let me in, I helped
|
|
guys on rungs below. I was pretty good at certain systems, certain kinds of
|
|
PBX, and posted voice mail trophies that were a hoot. Some came from huge
|
|
companies that couldn't secure their ass with a cork. The clips gave the
|
|
lie to their PR, showing what bullshit it was. So everybody on the channel
|
|
knew but had the good sense not to say, not let anybody know. That would be
|
|
like leaning over a banister and asking the Feds to fuck us please in the
|
|
ass.
|
|
So I learned how to live on the grid. I mapped it inside my head,
|
|
constantly recreating images of the flows, shadows in my brain creating a
|
|
shadow self at the same time. The shadow self became my self except I could
|
|
see it and knew how to use it.
|
|
It wasn't hacking the little systems, don't you see, the boxes or the
|
|
telephones, it was the Big System with a capital B and a capital S. Hacking
|
|
a system means hacking the mind that makes it. It's not just code, it's the
|
|
coder. The code is a shadow of the coder's mind. That's what you're
|
|
hacking. You see how code relates to the coder, shit, you understand
|
|
everything.
|
|
Anyway, Mom and Pop were talking one night and Mom said she had seen
|
|
the Bradley's out on their patio. They were staring down at the old bricks,
|
|
thinking about redoing it. It meant rearranging shrubs and maybe putting
|
|
it some flowers and ground cover. It sounded like big deal, the way they
|
|
talked about it, making this little change sound like the Russian
|
|
Revolution. It was like the time the Adams built a breakfast nook, you
|
|
would have thought they had terraformed a planet.
|
|
So Mom said to Virginia Bradley, how long have you been in this house
|
|
now? as long as we have? Oh no, Virginia said. We've been here thirteen
|
|
years. Oh, Mom said We've been fifteen. But then, Virginia said, we only
|
|
moved from a block away. Mom said, Oh? I didn't know that. Virginia said,
|
|
yes, we lived in that little white house on the corner the one with the
|
|
green shutters for seventeen years. Mom said, I didn't know that. Not only
|
|
that, Virgina said with a little laugh, but Rick, that was her husband,
|
|
Rick grew up around the corner. You know that ranch where his mother lives?
|
|
Mom said, the one where the sign says Bradley? I didn't realize (only
|
|
neighbors thirteen years) that was his mother. Yes, he grew up in that
|
|
house, then when we got married we moved to the white house with the green
|
|
shutters and thirteen years ago when Stonesifers moved to the lakes then we
|
|
moved here.
|
|
The heart enclosed in apprehension becomes so frightened of its own
|
|
journey, of knowing itself, that it draws the spiral more and more tightly,
|
|
fencing itself in. Eventually the maze leads nowhere. This village with its
|
|
winding lanes and gas lamps for all its faux charm was designed by a
|
|
peasant culture afraid of strangers, afraid of change, a half-human heart
|
|
with its own unique geometry.
|
|
Yep, you guessed it. The geometry of near.
|
|
|
|
Hypnosis does an effective job of Disneylanding the loneliness of
|
|
people who live near. Sometimes that loneliness leaks out into their lives
|
|
and that, really, was what the fighting was about.
|
|
Some business group asked Pop to give a dinner speech. They asked him
|
|
over a year ago, so he had it on the calendar all that time. He really
|
|
looked forward to it, we could tell by the time he spent getting ready. He
|
|
even practiced his delivery. They told Pop to expect a few hundred people
|
|
but when he showed up with all his slides, there were only twenty-three.
|
|
I am so sorry, said Merriwether Prattleblather or whoever asked him
|
|
to speak. It never occurred to any of us when we scheduled your talk that
|
|
this would be of all things the last episode of Jerry Seinfeld.
|
|
Pop got a bit of a clue that night. He was pretty dejected but he
|
|
knew why. These are people, he said, who have known each other for years.
|
|
This meeting is an opportunity to spend time with real friends. But they
|
|
preferred to spend the night with people who are not only not real, but
|
|
don't even make sense or connect to anything real. They would rather
|
|
passively download digital images, he said, using my language without
|
|
realizing it, than interact with real human beings.
|
|
So Pop had half a clue and I got excited, that doesn't happen every
|
|
night, so I jumped in, wanting to rip to the next level and show how it all
|
|
connects from Walter Lippmann to Eddie Bernays to Joseph Goebells, news PR
|
|
and propaganda one and the same. That got Pop angry. It undermined that
|
|
doll's house in his head, I can see now. The walls would collapse if he
|
|
looked so he can't look. Besides, he had to put his frustration somewhere
|
|
and I was safe. Naturally I became quite incensed at the intensity of his
|
|
commitment to being clueless. Christ, Pop, I shouted, they stole your
|
|
history. You haven't got a clue because everything real was hidden. Some of
|
|
the nodes are real but the way they relate is disguised in lies. He shouts
|
|
back that I don't know what I'm talking about. The second world war was
|
|
real, he says, hitting the table, not knowing how nuts he looks. Oh yeah?
|
|
Then what about Enigma? Before they disclosed it, you thought totally
|
|
differently about everything in that war. You had to, Pop! Context is
|
|
content and that's what they hide, making everything look different. It's
|
|
all in the points of reference. They've done that with everything for fifty
|
|
years. It's like multispectral camouflage that I read about in space, fake
|
|
platforms intended to look real. Nothing gets through, nothing bounces
|
|
back. You live in a hall or more like a hologram of mirrors, Pop, can't you
|
|
see that?
|
|
We both kept shouting and sooner or later I figured fuck it and went
|
|
to my room which is fine with me because I would rather live in the real
|
|
world than the Night of the Living Dead down there.
|
|
I know why Pop can't let himself know. I understand. Particularly at
|
|
his age, you can't face the emptiness of it all unless you know how to fill
|
|
it again, preferably with something real. Knowing you know how to do that
|
|
makes it bearable like looking at snakes on Medusa's head in a mirror. It
|
|
keeps you from turning to stone.
|
|
Me and my friends we don't want to turn to stone ever. Not ever.
|
|
Maybe it's all infinite regress inside our heads, nobody knows. But playing
|
|
the game at least keeps you flexible. It's like yoga for the soul.
|
|
|
|
When do I like it best? That's easy. Four in the morning. I love it
|
|
then. There's this painting by Rousseau of a lion and a gypsy and the world
|
|
asleep in a frieze that never wakes up. That's what it feels like, four in
|
|
the morning, online. The illusory world is asleep, shut up like a clam, I
|
|
turn on the computer and the fan turns into white noise. The noise is the
|
|
sound of the sea against the seawall of our lives. The monitor flickers
|
|
alight like a window opening and I climb through.
|
|
It's all in the symbols, see, managing the symbols. That makes the
|
|
difference between half an illusion and a whole one. Do you use them or do
|
|
they use you? If they use you, do you know it, do you see it, and do you
|
|
use them back? Who's in charge here? Are you constantly taking back control
|
|
from symbols that would sweep you up in a flood? Are you conscious of how
|
|
you collude because brains are built to collude so you know and know that
|
|
you know and can take back power? Then you have a chance, see, even if the
|
|
hall of mirrors never shows a real reflection. Then we have a chance to get
|
|
to the next level of the game if only that and that does seem to be the
|
|
point.
|
|
Me and my friends we prefer the geometry of far. This bedroom is a
|
|
node in a network trans-planetary or trans-lunar at any rate, an
|
|
intersection of lines in a grid that we navigate at lightspeed. This is
|
|
soul-work, this symbol-manipulating machinery fused with our souls, we live
|
|
cyborg style, wired to each other. The information we exchange is energy
|
|
bootstrapping itself to a higher level of abstraction.
|
|
Some nights you drop down into this incredible place and disappear.
|
|
Something happens. I don't know how to describe it. It's like you drop down
|
|
into this place where most of your life is lived except most of the time
|
|
you don't notice. This time, somehow you go there and know it. Instead of
|
|
thinking leaning forward from the top of your head its like lines of
|
|
electromagnetic energy showing iron filings radiating out from the base of
|
|
your skull. Information comes and goes from the base of your brain, goes in
|
|
all directions. Time dilates and you use a different set of points of
|
|
reference, near and far at the same time.
|
|
It's a matter of wanting to go, I think, then going. Otherwise you
|
|
turn into the chiropractor's wife. I want to see up close the difference
|
|
that makes the difference but once I go there, "I" dissolves like countries
|
|
disappeared and whatever is left inhabits clouds of power that have no
|
|
names. It's better than sex, yes, better.
|
|
So anyway, the point is, yes, I was laughing but not at him, exactly.
|
|
You can tell him that. It was nothing personal. It just looked so funny
|
|
watching someone express the truth that they didn't know. The truth of a
|
|
future they'll never inhabit. It's like his mind was bouncing off a wall,
|
|
you see what I mean? So I apologize, okay? You can tell him that. I
|
|
understand what it must be like, coming to the end of your life and
|
|
realizing how it's all been deception. When it's too late to do anything
|
|
about it.
|
|
Now if it's all right with you, I just want a few minutes with my
|
|
friends. I just want to go where we don't need to be always explaining
|
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everything, where everybody understands.
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Okay? And would you mind closing the door, please, as you leave?
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The Feasibility of Anarchy in America
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By
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Anthony <ivrit@missvalley.com>
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"This country, with its institutions, belongs to the people who inhabit it.
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Whenever they shall grow weary of the existing Government, they can exercise
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their constitutional right of amending it, or their revolutionary right to
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dismember or overthrow it." -- Abraham Lincoln
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The concept of anarchy in its most general and well-known form espouses a
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view of removing a given governing body or hierarchy. The very word,
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"Anarchy," is derived from the Greek word "Anarkhos," which means, "Without
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a ruler." In effect, it is a view shared by those who believe that
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centralized governments or hierarchies of power and authority tend to
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corrupt those at the upper-levels. It is also a common sentiment that those
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power-drunken rulers at the height of the hierarchy come to abuse their
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power and use their newly found authority for their own, whimsical purposes
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to the detriment of the lower members of the organization or society over
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which it rules. This belief is far from new, and dates back probably as far
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as political philosophy has existed. Within the United States, the
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philosophy gained general acceptance within a few select groups during the
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1960's and 1970's, and was forwarded with the rise of the "Anarchist
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Cookbook," in which instructions for bomb-making, guerilla warfare, and the
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like are expounded upon in rather brief detail. With the rise of the
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Internet, many groups favoring the free exchange of any and all information,
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as well as the destruction of any sort of proprietary and restrictive model
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for software development and the like, the philosophy of Anarchism has
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become quite widespread and supported in a variety of forms. Aside from the
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desire to see corrupt regimes fail and the Orwellian laws and measures
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become obsolete, however, we must ask ourselves: In America, is the concept
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of Anarchy realistically viable?
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It is evident to most that the majority of citizens of the United States do
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not view laws as anything other than rules enforced by the current regime;
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therefore, to them, if the regime fails for whatever reason, there are no
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laws by which to abide. For instance, we can see that during even minor
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disruptions, such as blackouts, citizens run rampant causing damage and
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stealing goods from other businesses. They do not connect to the greater
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picture, and they do not realize that, by depriving others of these goods,
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they do nothing but bring greater harm upon the whole of society, which
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includes them as well. Even with the government still active, we see a
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variety of crimes committed each day, some of the most serious being rape,
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murder, and theft. The most important question we must ask is that, if the
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citizens are unable to conduct themselves for the greater good and for the
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welfare of society, then how may they be trusted to conduct themselves
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properly without a governmental body enforcing its laws by threats of
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incarceration or death? However it has occurred, it is irrelevant: the
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majority of US citizens are entirely dependent upon the government and the
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services that it provides. It is also obvious that, without a central
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governing body, they could not rightfully conduct themselves responsibly so
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that they would need no rulers or administrators above them ensuring that
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civil order persists. Because of their attitude of self-centered egoism and
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the fulfillment of their hedonistic desires, it is very improbable that they
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could retain the proper attitude to make anarchy a possible way of life.
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Another problem relating to the lack of a proper, self-reliant attitude is
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the fact that most Americans are conditioned to a rather wealthy and
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comfortable lifestyle. They have the pleasure of relative political and
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military security; comfortable homes; televisions and other frivolous
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entertainments; and more food than most know what to do with. All but the
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most impoverished and destitute live a very comfortable lifestyle, and even
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the latter are generally not wanting for food, housing, and so forth because
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of government aid. It is also obvious to many that the government acts as a
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buffer between the individual and reality. Everything is hidden from public
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view, such as the enforcement of the death penalty, the frequent
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slaughtering of meat, and even the often-times brutal tactics of the police
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and military. The government attempts to keep society in a rather blissful
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swoon so that it does not recognize and is therefore not conditioned to the
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undesirable facets of reality. Therefore, it is improbable that the general
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public at large would have the threshold of toleration regarding hardship,
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and it is not likely that most would be able to adapt to a rather open and
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frank way of life, seeing and experiencing both its pleasant and unpleasant
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aspects. It is most likely that, when experiencing life without any central
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government shielding them from how it truly is, as well as their
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responsibility to themselves and the rest of society at large, they would
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reject such ideals and return to their previous existence and lifestyle.
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Too much is taken for granted, and when this is not available, the public
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would quickly turn upon their heels because of the fact that they are
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generally unconditioned to self-responsibility, self-reliance, and true
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hardship.
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A very real problem to be faced if the central government were removed is
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the military situation and the protection of this country from hostile
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foreign powers. It is well known and goes without saying that quite a few
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foreign nations would take little time in responding to the collapse of the
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government and militarily invade and occupy the nation to their political
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and economic advantage. Thus, it would be imperative that a collective
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military be formed and trained in order to resist such a fate. However,
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another problem then arises: if a military is formed, and there is hierarchy
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within this military (as there needs be if it is to be effective in
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protecting the nation from coordinated foreign attacks), then what is to
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stop it from staging a coup and forming a new governmental body under
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military rule, with the commanders being the upper class and the new leaders
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of an unwilling populace? This is not an impossible or even an improbable
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scenario. Take Afghanistan, for instance. After the Mujahideen shook off
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the yoke of Soviet dominance and government, they found themselves in quite
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a problem: there were several militias, all led by separate commanders with
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different ideals. Soon, fighting erupted between them, and the country was
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in a state of war-torn chaos. Nothing productive came from them, and they
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never ruled with any sort of authority. This serves as an example for how
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useless a struggle is against an oppressive regime if no stable government
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can be formed afterward. After their many blunders, a new group rose up
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against them and their corruption: the Taliban. They were originally a
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group of freedom fighters who claimed to have no desire for power or rule.
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They said that their goals were to remove the Mujahideen and their
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atrocities from Afghanistan, and to restore order, security, and peace to
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the region. We all know that, afterward, they indeed became the new rulers
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of Afghanistan, and were no better than the former Mujahideen in the least.
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This would be the same sort of problem that is to plague a nation whose
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central government is removed, and it is almost inevitable that foreign
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occupation will occur, or the newly formed military will take the power for
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themselves. Or, perhaps, both of these will occur as they did in
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Afghanistan. Another solution may form in the minds of some when thinking
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of this problem: perhaps if everyone who is of fighting age and ability
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would form a militia, so that this power would be in the hands of the
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population as opposed to a select fighting few. This indeed would be a good
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idea, if it weren't for a small problem: it would only be a matter of time
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before there would be disagreements as to the best course of future action
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in any given situation, and it is very probable that there would be separate
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factions that would split away and war upon each other. Thus, the nation
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would once more be divided and fighting for power, much like the many
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nations of the world do even today. Even without these severely important
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issues arising, it goes without question that to have everyone who is able
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to necessarily be a part of a given military would be nearly akin to being
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governed by a central regime, only on a more militarized basis. Therefore,
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it seems entirely likely that this would either begin as or devolve into yet
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another form of government, only this time harsher in its enforcement of
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laws given the very nature of the institution.
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A view espoused by some is that man should return to a more natural way of
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life and live primitively, as an animal, given that he is indeed an animal
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which is more highly evolved and retains higher faculties of reason and
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thought. This sort of view likewise presents another problem which is most
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likely impossible to overcome within anarchy: the fact that there is not
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anarchy within nature, and that animals are indeed governed if by nothing
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more than the principle of natural selection: the strong will survive, and
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the weak will perish. It is a fact that resources of a particular area are
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not unlimited, such as food, water, material for shelters, fuel, and so
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forth. It is also true that there will be those who are more efficient by
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nature in gathering food, finding themselves fortunate enough to live near
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and perhaps possess a source of fresh water, and so on. Therefore, those
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who are stronger and more efficient in these areas will by nature rule over
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those who are weaker and not as adept or fortunate enough to be in like
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position. Such an individual or individuals would thus be held in higher
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esteem in a given community because of the resources he/she possesses, and
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which the other members want or need. As we can see, this is leading to
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another form of government: those with the best plots of land held in
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private ownership will naturally become those who supply the food and
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necessary materials to the rest of the community, and will therefore become
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as an authority figure. It is trivial to understand that this situation can
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be prevented if private ownership of land is not allowed, or if food, water,
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and other relatively scarce resources are distributed equally amongst the
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populace. The only problem with this is that there must by definition be
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some sort of hierarchy or committee collecting these resources, distributing
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them, and ensuring that everyone is conducting themselves honestly with
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regard to the matter. This will likewise lead to yet another form of
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control and government: over time or, perhaps from the beginning depending
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upon how much force the committee would have or how dire the situation is at
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that time, they will come to form a sort of government which would provide
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the members of society with its needed resources, and would thus be much
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like the current government we have today, existing by serving society and
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using its natural power to threaten others to accept a given set of laws in
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order to preserve social order. Even the most primitive of societies have
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an accepted leadership, and at least have some sort of social order and a
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way in which to ensure that such a social order is not disrupted to the
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detriment of society. Hence, if the society is to be held together and not
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devolve into nothing more than close-knit families attempting to ensure for
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themselves survival without thought to the rest of the population, there
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must exist some sort of hierarchy or, for lack of a better term, system of
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government.
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I conclude this rather brief essay by answering the question posed in the
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beginning: it is not possible that anarchy can exist within America if only
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because of the fact that the population could not handle it, and can not be
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trusted to act with the best interest of society in mind. Not many in this
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culture of ego-gratification and self-centered hedonism would find it in
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their best interests to give up their many enjoyments, possessions, and
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sheltered way of life so that they could exist with more responsibility and
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self-reliance. Not only this, it would also be impossible to rid the
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majority of the population of the idea of private ownership of property, and
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because of the self-centered nature of this culture, it would be entirely
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out of the question to assume that a form of communism or communal-lifestyle
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would be acceptable to the majority involved. Besides, without some form of
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central government deciding the fate of this communal property and what
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should be done with the material harvested or grown from it, we would be
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hard-pressed to come to any agreement upon what should be done with it.
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Thus, without any sort of unification or democratic government, or even an
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authoritarian dictator imposing his will upon the population at large,
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nothing can be achieved except factionalism, strife, and inevitably
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destabilizing, unconstructive conflict.
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|=[ EOF ]=---------------------------------------------------------------=|
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